Selection of Published Art Writings
“Because I Am My Own Shell: Shuang Li at Swiss Institute,” in Spike Art Magazine, Summer 2024, pp. 140-141.
“Exhibition Review: ‘The Collective School’ at Asia Art Archive in America,” in Artforum, November 17, 2023, online.
“Sorrows and Delights: Xiyadie at the Drawing Center,” in Spike Art Magazine, Spring 2023, pp. 142-143, and online.
“Productive Nostalgia – Interview with Heidi Lau,” in Ran Dian, March 3, 2023, online.
“Exhibition Review: Shen Xin at Swiss Institute,” in Artforum, July 2022, online.
“Maja Ruznic: Personal Church,” in BLAU International, Summer 2022, pp. 66-71.
“On Art Criticism”《批评批评》, in Heichi Magazine《黑齿》, October 22, 2020, online.
“Countryside, the Future,” in LEAP, Spring-Summer Issue of 2020, pp. 194-199.
“Common Ground: Interview with Adam Pendleton”《Adam Pendleton: 我们不是谁》，in Wallpaper China《卷宗》, March 2020, pp. 40-44.
“Carol Bove Interview - ‘My Thoughts and Works Grow Together’,” in artnet News, November 2019, online.
“Atelier Bow-Wow Interview - Between the Two Olympics: How Do ‘Made-in-Tokyo’ Buildings Affect Our Lives?,” in artnet News, October 2019, online.
“Better Homes & Gardens,” in Artforum and Artforum China, September 2019, online: Eng. & Chn.
“Whose China?” in Art in America, April 2019, pp. 33-35.
“Exhibition Review: Chang Yuchen at Assembly Room,” in Artforum China, February 2019, online.
“Interview: Wang Guangle Talks About ‘Duo Color’ at Pace Gallery,” in Artforum China, January 2019, online.
“Art Column: Bruce Nauman,” in Esquire China, December 2018, pp. 32-33.
“Interview: Liao Guohe Talks about ‘Burning Witches’ at Boers-Li Gallery,” in Artforum China, September 2018, online.
“Zhang Xiaogang Interview - Things are Fragmentary in our World”, in artnet News, September 2018, online.
“Exhibition Review: Liu Shiyuan at Tanya Bonakdar Gallery,” in Artforum China, March 2018, online.
“Exhibition Review: ‘Times Square’ at Yve Yang Gallery,” in Artforum China, February 2018, online.
“Frank Stella Interview”《专访弗兰克·斯特拉：“艺术至少为终极自由提供了一种错觉”》, in Life Week《三联生活周刊》, No. 48, 2017, pp. 130-133.
“Exhibition Review: Ye Funa at Metro Pictures,” in Artforum China, July 2017, online.
“Interview: Gao Jie Talks about ‘Art4A.I.’ at Bannister Gallery, RISD,” in Artforum China, April 2017, online.
“A symptom of love that is independent of love,” in Life Week《三联生活周刊》, No.6/7, 2017, pp. 62-67.
“Exhibition Review: ‘Mosquitos, Dust, and Thieves’ at 47 Canal,” in Artforum China, February 2017, online.
“‘When We Become Us’ at Capsule Shanghai,” in Flash Art, November 2016, online.
“Diary Column: Asia Contemporary Art Week in NYC - Is Presenting Practice A Way of Practice?,” in Artforum China, November 2016, online.
“From Panopticon to Snowden: Art on Surveillance,” in The Art Newspaper China, “Feature” Column, September 2016, online.
“Exhibition Review: Cao Fei at MoMA PS1,” in Artforum China, April 2016, online.
“Datong Da Zhang: Anti-Subject,” in artnet News, April 2016, online.
“Exhibition Review: Lu Pingyuan at MadeIn Gallery,” in Artforum China, January 2016, online.
“Xu Zhen: Artist is Company” 《徐震：艺术家即公司》, in Esquire China《时尚先生》, the annual “Man At His Best” series, January 2016, and online.
“Interview: Mao Yan Talks about His Practice,” in Artforum China, March 2015, online.
“Exhibition Review: Lu Yang’s ‘Arcade’,” in Artforum China, November 2014, online.
“Cover Feature: Performa 13,” in Art China Magazine, March 2014, pp.102-107.
Selection of Translation Works
Translation of the Chinese edition of The Richter Interviews: Hans Ulrich Obrist, published by HENI Publishing and Shanghai Literature & Art Publishing House, 2024.
Translation of “A Meaningful Order: OK-RM,” exhibition brochure co-presented by OK-RM Studio (London) and X sign Space (Hangzhou), April 27 – July 7, 2024.
“‘As we remember and abstract in the dark’— On Cici Wu’s Umbrascape Art,” by Kyoo Lee, in Ran Dian, November 18, 2022, online.
“White Light, White Heat, Black Hole Sun,” by Douglas Fogle, in Mary Corse: Painting with Light, Exh. Cat. (Shanghai: Long Museum & Shanghai Culture Publishing House, 2022), pp. 6-14.
“Withness,” by Elizabeth Buhe, in Loie Hollowell: Recalibrate, Exh. Cat. (Shanghai: Long Museum, 2021), pp. 6-26.
“Opacity ≠ Obscurity I & II” by Chip Chapin, in Heichi Magazine, June 2020, online.
“The Path of Globalization and Its Footnote: On Luc Tuymans’s Encounter with China” by Su Wei, in Luc Tuymans: Good Luck, Exh. Cat. (New York and Hong Kong: David Zwirner Books, 2020), pp. 27-32.
“Transformation: New York, 1994” by Chen Danqing, in Gagosian Quarterly , Summer 2018, pp. 118-121, also online.
“Desperate Things” by Boško Blagojević, in Flash Art, October 2016, online.
“Zhou Xiaohu: Chimera” by Colin Siyuan Chinnery, in the Exh. Cat. of the artist’s works, 2017, pp. 12-16.
“Ken Liu: Artifacts, Expressions, and Languages” by Einar Engstrom, in LEAP, April 2016, pp. 38-45.
“The Curators’ Dialogue,” in Social Factory, the 10th Shanghai Biennial Exh. Cat.
The translation of Cosmic Anxiety by Boris Groys was part of the special project SUPERCOMMUNITY, a collaboration between e-flux and WH.A.T. for the 56th Venice Biennale in 2015.
Essay writing for Chando Ao’s monologue publication, Warm Machine and Other Mirrorless Refletions, published by Yve Yang Gallery (New York, 2023), pp. 210-235 [Eng] & pp. 289-305 [Chn].
Essay writing for the Exh. Cat., Jing He: Made According to a Carpenter’s Square, published by CHAxARTxRTM (Rotterdam, the Netherlands, 2023), pp. 17-31 [Eng] & pp.34-50 [Chn]: more.
Essay writing for the Exh. Cat., Maja Ruznic: Consulting with Shadows, published by Karma (New York, 2022), pp. 6-10.
Essay writing and text-based installation created for the exhibition “WORLDWIDE EXPRESS & 緃横四海 종횡사해 <You Won Fair and Square> ,” at DAECHUMOO Fine Art (Gangwon-do, South Korea), Nov. 14, 2020 - Feb. 28, 2021.
Essay writing for the exhibition “Han Bing: A Labile Boundary at Best,” at Antenna Space (Shanghai), Jan. 11 – Mar. 10, 2020: more.
Editorial Projects
Co-founded and co-edited Heichi Magazine《黑齿》: 2020-2021.
Co-founded and co-edited The Hunting《狩猎》: 2014-2016.